The charm of simplicity
Alain Vernis's works are mainly pottery bowls. Since he set up his studio in the Haut-Morvan in 1985, he has started to make pottery with local clay. Alain didn’t learn from a master, he relied on his own exploration from kiln construction to firing. The primitive pit that he used then caused all of the pieces, shaped over ten years, to explode. He had no choice but to give up pit firing and build a new kiln. After years of adjustments, he came to discover the effects of diverse combinations of clay, water, duration of firing, type of wood. Black was once used by Taoism to discribe the invisible and intangible universe, “Darkness within darkness, the gateway to all understanding. ” Darkness presents color and also the profoundness of Taoism. Alain uses black extensively in his works, shaping through “renouncement” and firing with “naturalness” . The combination of shape and glaze color explains the charm of simplicity.
Deep connection with Raku-yaki technique
The famous Raku-yaki technique of the Momoyama period in Japan in the 16th century is characterized by simplicity and naturalness. The seemingly "imperfect" works break the traditional aesthetic system of symmetry and glaze perfection, which is similar to Alain Vernis's works. Starting with a handful of clay, Alain focuses his perception on his hands and slowly kneads the bowl into shape, combining the beauty of form with the beauty of spirit. The surface of the bowl is either smooth or rough, with the glaze color bolding, and even natural flow appears. However, it was not until the 15th generation of Raku-yaki master invited him to Japan that he realized that he had such a deep connection with those masters of several centuries ago.
Alain Vernis was born in Sens, France in 1946 and currently lives and works in Morvan. His works have been exhibited in art institutions such as theBiracte Archaeological Museum in Burgundy, Guardian Art Center in China and Musée d‘art ModerneMusée national de la Céramique, Musée de Bibracte, Musée Asrien Dubouché, Musée Bernard Palissy, Musée de Sarreguemines, Musée Joseph Séchelette in France.
Special thanks to LuoHan Tang for the support of the exhibition.